200
~This marks 200 posts on David Does Japan. To be honest, I never thought I'd get to 20. Thanks for visiting, everyone. ~Oyasumi!
Follow the adventures of a clueless Gaijin as he blunders his way across the Land of the Rising Sun.
~This marks 200 posts on David Does Japan. To be honest, I never thought I'd get to 20. Thanks for visiting, everyone. ~Oyasumi!
~For those of you who use iPods, iTunes, iMacs, and iPhones, here is Apple CEO Steve Jobs to introduce his company's latest product: the iRack!
~After getting off of work today, I was stopped in the street by a middle-aged Japanese couple. It turned out that they had also been on the bus tour a few months ago and remembered me from the drift-net fishing, seeing as how I am so very memorable over here (i.e., I stick out like a sore thumb).
Yesterday, a British military satellite was launched into orbit from French Guiana in South America. The name of the satellite is Skynet. Am I the only person who finds this disturbing?
^ Skynet, as you doubtless recall, was (is?) the name of the homicidal computer network that seeks to exterminate humanity in the "Terminator" films. The real Skynet is a British military information network that links ground, sea, and air operations. If that sounds harmless, consider these ominous quotes from Bill Sweetman, the technology and aerospace editor for Jane's Information Group:
~Today I bring you yet another book review, this time for Maya by Jostein Gaarder. Previously, I wrote a very positive review for Gaarder's previous novel, Sophie's World, and Maya evokes many of the same themes as the other book. Like Sophie's World, Maya is an intricate nexus of philosophy, biology, and spirituality: one of those books that makes you question the meaning of life, the universe, and everything. Unfortunately, Maya is not as good as Sophie's World, but I will attempt to review this book while avoiding overt comparisons.
The narrative structure of Maya suffers from numerous time shifts. For example, much of the novel is written in the form of a letter from Frank to his estranged wife, but other portions of the story are set in a constantly-changing "present", which in turn sometimes skips over to the viewpoint of John Spooke.